所有艺术都是象形文字,艺术家的象形文字愈接近对自然的感官印象,创造它就愈需要想象力的努力.——[德]马克斯·利伯曼(Max liebermann,1847—1935)我不主张以“变法”与否判定一个画家艺术生命的张力.我总以为,风格展开的轨迹,必定是画家独特的生命经验和对风格理解的综合.齐白石“衰年变法”,毕加索终身不定,而马蒂斯则沉溺于自己的色彩之梦至死不渝,这只能由每个画家的艺术见解与人生机缘而定,决不意味着各人命运之间必然的可比性,应当允许风格的形成与跃变有其自身的逻辑.如果我没看错的话,陈守义先生的这组《水墨》组画正体现 All art is hieroglyph, and the more the artist’s hieroglyphs get closer to the sensual impression of nature, the more imaginative it is to create it .-- Max Liebermann (1847-1935) I do not claim To determine the tension of an artist’s artistic life with “change method”, I always think that the path of style development must be the painter’s unique life experience and the comprehension of style.Pi Baishi’s life-long change, Picasso’s life is indefinite, and horse Desi indulges in his own dream of color to the last, which can only be determined by each artist’s artistic opinions and life chances, which in no way implies the inevitable comparability of each person’s fate and should allow the formation of style And the transition has its own logic .If I am not mistaken, Mr. Chen Shouyi this group of “ink” group of paintings is reflected