仇东少时随父生长在江南“鱼米之乡”舟山,成就在齐鲁大地。从小喜欢绘画的他,上世纪80年代初考入泰山学院美术系。步入学院殿堂并以绘画为职业后,丰富的生活阅历和多方位的艺术实践,使他充分感受到从事艺术的甘苦,也清醒地认识到只能在一种艺术门类上进行传承、创新、发展,才能更有所作为。古画论讲“寄兴于笔墨、假道于山川、不化而应化,载之寡宇,山川之质地”。仇东的国画作品透出的就是这样一 Qiu Dong little father grew up in the South “Yumizhixiang ” Zhoushan, Qilu achievements in the earth. He liked painting since childhood, and was admitted to the Art Department of Taishan University in the early 1980s. Into the college hall and to painting as a career, rich life experience and multi-faceted artistic practice, so that he fully felt engaged in the pain of art, but also clearly aware that only in a category of art on the heritage, innovation, Development, can make more achievements. Ancient painting theory about “send Xing in the pen and ink, fake in the mountains and rivers, but should not be changed, contained oligarchs, the texture of mountains.” Qiu Dong’s painting shows that is one such