我和盖叫天先生相识以来三十多年了.和他同班演过戏.近二十多年来和他很少见面,可是他给与我的印象将永远留在记忆之中.我第一次看他的戏是“三岔口”.一时无二的杰作使满座的观众感到惊异,为之喜悦欢呼.他的形体动作精炼到难以形容;生动、灵活、飘逸、刚健而准确的动作构成舞蹈的美,表现出勇敢坚定的英雄形象.就舞姿而论,他无论什么戏都有其独到之处:刚劲有如百炼钢,也可以柔软得像条绸带子;快起来如飞燕掠波,舒缓之处像春风拂柳;动起来像珠走玉盘,戛然静止就像奇峰迎面.这要靠才能,主要还是靠功夫.盖叫天先生无论那一个戏里,没一处不见才能, I have known him for more than thirty years since I met Mr. Ge, and have played with his classmates, and have rarely seen him in more than two decades, but the impression he gives me will always be in memory. Once to see his play is “Fiftieth ” masterpiece so full audience surprised, joy joy cheer his body movements refining unspeakable; vivid, flexible, elegant, healthy and accurate Action constitutes the beauty of dance, showing a brave and firm heroic image. In terms of dance, no matter what his play has its own uniqueness: vigorous like a hundred steel, you can also be soft like a ribbon strap; Sweep waves, soothing place like a spring breeze Liu; moving up like beads away jade plate, abruptly like Qifeng head .To rely on talent, mainly rely on Kung Fu. Talent,