沈从文发表于1926年的短篇小说《松子君》在形式上的实验性和多重意义间的缝隙造成了其文本的丰富与驳杂,给予了我们多方解读的可能。本文试图从沈从文作为作家个人的主体意识、读者意识以及20世纪20年代新文学的生产机制与消费机制等几个角度对小说进行解读,并结合对沈从文的早期创作与思想脉络的考察,对20年代新文坛状况及其内在的困境与危机等话题展开讨论。 Shen Congwen’s short story “Song Zijun”, published in 1926, has caused its text richness and miscellaneous in its formal experimental and multiple meanings, giving us the possibility of multi-interpretation. This article attempts to interpret the novel from several perspectives such as the writer’s personal consciousness, reader’s consciousness and the production mechanism and consumption mechanism of the writer in the 1920s. Combining with the study of Shen Congwen’s early writing and thoughts, The new literary situation in the era and its inherent difficulties and crises and other topics discussed.