不厌其烦、极其细致地铺排的瓷砖地板、墙壁的拐角空间和玻璃的工作台,似是而非的日常空间,是黄一山精心构建的程式化舞台——根据透视原理知识,精心规划其三维空间及其“视错觉”。黄一山有意地抛弃那些已有的“拟真”绘画的成熟体系,而是导入模型制作的“仿真”概念:严谨挑选的日常物象,将其物理属性延伸到画面当中,或者直接在平面绘画中置入真实的物 Tired of the meticulous arrangement of tiled floors, corner walls and glass worktops, the paradoxical everyday space, the well-established stylized stage of Mount Huang - a careful planning of the three-dimensional space and its visualization based on the knowledge of perspective principles illusion“. Huang Yishan deliberately abandons the mature system of existing ”immersive“ paintings instead of introducing the ”simulation" concept of model making: rigorously selecting everyday objects, extending their physical properties into the picture or directly Plane painting into the real thing