本文从美学视角探索《词源》的词学思想。认为《词源》既建立了相对完整的理论体系 ,形成一系列逻辑范畴、美学概念 ,具有自己的方法论和理论风格 ,又深入具体地研究了词之创作与欣赏的诸多问题 ,使词之探讨进入到崭新的境界 ,为后世词话奠定了理论基础。不足之处在于 ,《词源》过于沉湎于纯美学纯艺术的理论思考 ,对词的社会历史内容及意识形态方面有所忽略 This article explores the Ci-poetry theory of “Etymology” from the perspective of aesthetics. It is believed that “Etymology” not only establishes a relatively complete theoretical system, but also forms a series of logical categories and aesthetic concepts with its own methodology and theoretical style. It also deeply and concretely studies many problems in the creation and appreciation of words, Into a new realm for the future words laid the theoretical foundation. The shortcoming is that the “etymology” is too indulged in the theoretical thinking of pure aesthetics and pure art, ignoring the social and historical contents and ideology of Ci