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戏曲,作为我国特有的古典艺术种类,集音乐、文学、美术、舞蹈等多种艺术门类为一身,体现着虚实相生、情景交融的意境美并受到各界研究者的关注。从以往的研究来看,传统戏曲理论的研究占大多数,而对于明确基本功与舞台表演的关系上,有所见解的却不多。本文将围绕戏曲这种再现艺术中基本功与表演的关系进行论述,在论述的过程中结合了美学、史学与个人的经验之谈,试图平衡戏曲表演中基础与创造孰轻孰重的问题,进一步阐述了基础与创造相辅相成的关系,也凭借笔者多年的教学与实践经验谈谈对于戏曲发展的看法。
As one of the unique types of classical art in our country, opera plays a variety of art genres such as music, literature, art and dance. It reflects the beauty of artistic conception and the blending of scenes and is of concern to researchers from all walks of life. Judging from the past research, the study of traditional opera theory accounts for the majority, but there is not much insight on the relationship between basic skills and stage performances. This article will elaborate on the relationship between the basic skills and performances in the art of reproduction such as opera. In the process of discussion, combining the aesthetics, history and individual experience, this article will try to balance the problem of foundation and creation in drama performance, It elaborates the relationship between foundation and creation, and also talks about the views on the development of opera by virtue of my years of teaching and practical experience.