论文部分内容阅读
姜夔《续书谱》云:“尝考其字,是点画处皆重,非点画处偶相引带,其笔皆轻。虽复变化多端,未尝乱其法度。”李淳《大字结构八十四法》:“下占地步,‘众、界、要、禹’,要下面宽而划轻,上面窄而划重。”“中占地步,蕃、华、冲、掷。要中间宽大而划轻,两头窄小而划重。”笔画细则显得轻,笔画粗则显得重,如“赓”字的广字头,“会”字的人字头,画细而轻,下部画粗则重。“句”字口部画细,外重内轻。
Jiang 夔 “continued book spectrum” cloud: “taste the word, is the point of view are all heavy, non-point drawing at the occasion with tape, the pen are light. Under the eighty-four method of the structure of large characters: ”under the footsteps of“ public, sector, want, Yu ’, to be wide and light under the above narrow and heavy above. ”“ ”The width of the stroke should be light and the width of the stroke should be light and the width of the stroke should be narrow and narrow.“ ”The strokes are light and the strokes are heavy, such as the wide prefix of“ 赓 ” Word head, draw thin and light, the lower part of the painting is heavy. “Sentence ” word mouth drawing fine, outside the light weight.