最初知道的,是这个故事的后半部分。十来年前的样子了,在《南方周末》上,看到一篇杨惠珊的专访,从此知道了杨惠珊和她的琉璃。文章写了她和作为名导演的丈夫张毅,在电影事业巅峰时刻急流勇退,转向已经年久失传的古法琉璃工艺,几经磨难挫折,终于成功的 The first thing I knew was the second half of the story. Ten years ago, in the “Southern Weekend”, I saw an interview with Yang Huishan, Yang Huishan and she knew from the glass. The article wrote her and director Zhang Yi as director of the name, at the peak moment of the film industry bravely retreated to the long lost color of the ancient French glass process, after several setbacks, and finally succeeded