引语“大多数人主要知道一个文化、一个环境、一个家,漂泊者至少知道两个。这种多重视野产生一种觉知:这种觉知——用音乐的术语来说——是对位的(contrapuntal)。它是游牧的、去中心的,但每当一习惯了这种生活,它撼动的力量就再度爆发出来。”爱德华·W·萨义德的这段话既可以看作是他自身体验的心声,也可以作为一个注脚来诠释多重文化交织所形成的文化艺术形态。从这个方向出发,我们可以更好地理解费尔南多·波特罗(Fernando Botero),这位长期受欧洲文化影响的哥伦比亚艺术家最终回归到中美洲民族文化的根基,以强悍、独特、诗意的绘画和雕塑独步艺坛,成为20世纪世界美术史上一道壮丽景观。 Quotations “Most people mostly know a culture, an environment, a home, and a wanderer knows at least two.” This multiple vision creates a perception that this perception - in musical terms - is Contrapuntal. It is nomadic, centered, but every time one becomes accustomed to it, the power of its shaking erupts again. "Edward W. Said’s remark either As his own experience of aspiration, but also can be used as a footnote to interpret the multi-cultural interwoven form of culture and the arts. From this perspective, we can better understand Fernando Botero, a long-time Colombian artist influenced by European culture, who eventually returns to the foundations of national culture in Central America with powerful, unique and poetic paintings and Sculpture unique artistic world, a 20th century world art history in a magnificent landscape.