我是个在红旗下长大的青年演员,扮演一个四十年代旧评戏班里的三花脸儿,确实困难很多,开始总是抓不到人物感觉。导演给我指了一条路:这个戏,要学习《龙须沟》的表现手法,要有浓厚的生活气息,还特别强调形体动作要到生活中去抓特点,寻找人物的个性特征。在天津评剧院体验生活时我找到了一位多才多艺的老演员,具有和张乐天相同的苦难经历。我发现他的腰带上总是挂一条毛巾,觉得很奇怪。他风趣地告诉我说:“从日本时期我就这样,快四十年了。旧社会唱戏的生活没有保障,经常一天赶好几 I was a young actor who grew up under the red flag. It was indeed a lot more difficult to act as a three-faced face in an old critics ’show in the 1940s and I was always unable to grasp the characters’ feelings. The director pointed me to the way: In this drama, we must study the performance techniques of “Longsugou” and have a strong life style. In particular, we should emphasize physical movements to grasp the characteristics of life and find out the personality characteristics of the characters. When I was in Tianjin Pingju Theater to experience life, I found a versatile old actor with the same suffering experience as Zhang Lotte. I found it strange to always hang a towel on his belt. He told me humorously: "From the time of Japan I was like this, almost forty years old. Social life of singing and dancing is not guaranteed.