运用马尔维的窥视癖理论,并借助拉康的镜像理论对艾弗瑞德·西奇柯克的电影《后窗》中的女性形象进行分析,从而得出,电影中女性的形象常常被视为男主人公及男性观众的窥视对象,以满足他们的男性权力及性幻想。因此要颠覆女性在男权社会中的扭曲的形象还有很长的路要走。1,文本简介艾弗雷德·西奇柯克(Alfred Hitchcock)是美国著名的导演之一。在长达五十多年的导演 By using Malvi’s peeping theory and using Lacan’s mirror theory to analyze the female figure in Irethi Sikh Kirk’s movie “The Rear Window,” it is concluded that the female image in the film is often viewed as Peek into the male protagonist and the male audience to meet their male power and sexual fantasies. Therefore, there is still a long way to go to reverse the distorted image of women in the patriarchal society. 1, text introduction Alfred Hitchcock (Alfred Hitchcock) is one of the famous American director. In more than 50 years of director