中国古代文学批评有一明显的现象，即评论家往往　通过对作品的整理以表达其批评思想，作为文学批评分支的赋学批评也不例外。历代赋论家　编纂了大量的赋总集、选集、别集（专集），尤其是到清代，赋集编纂风气炽盛，成果汗牛充　栋，成为中国文学史与批评史上均值得重视的现象。从史学观来看赋集的编纂，表现出与古　代赋学批评同步发展的情形，而从批评观来看，则赋集编纂也包括了赋的文体性质、赋创作　分类、古赋与律赋、赋作家群体研究以及对赋话产生之影响等丰富的理论内涵。 There is a clear phenomenon in ancient Chinese literary criticism that critics often express their critical ideas through the collation of works, and the criticism of Fu as a branch of literary criticism is no exception. In the past, especially in the Qing dynasty, the genre of anthology compiled and published was full of achievements and made many achievements. It became a phenomenon worth noting in the history of Chinese literature and criticism. From the perspective of historiography, the compilation of endowments shows the simultaneous development with the ancient endowments criticism. From the perspective of criticism, the endowment editors also include the stylistic nature of endowments, the classification of genres, the ancient endowments and the law endowments , Fu writers group research and the impact on the phrasing and other rich theoretical connotation.