当代学术界对周作人的文学地位及其创作成就的评价存在巨大分歧。本文认为,除却政治视角所带来的文学评价机制外,周作人作为散文家的身份才是造成这种分歧更为重要的原因,其背后所凸显的,不仅是周作人个人的文学地位的认定问题,更是文学革命之后,散文这一文学体裁所面临的危机。 Contemporary academic circles have great differences on Zhou Zuoren’s literary status and his creative achievements. This article argues that apart from the literature evaluation mechanism brought by the political angle, Zhou Zuoren’s status as an essayist is the more important reason for this disagreement. What he highlights behind is not only the identification of Zhou Zuoren’s personal literary status The problem is even more a crisis in the prose genre after the literary revolution.