京津画派虽然具备极好的优势,但在中国画市场日趋活跃的今天,却没有受到足够的重视与青睐。除了齐白石这样的少数画家价位偏高外,大部分京津画家的价位偏低。对此,本刊邀请了部分美术史论家与经营家对这一现象展开了讨论。 Although the Beijing-Tianjin painting school has excellent advantages, the increasingly active Chinese painting market today has not received enough attention and favor. Apart from the high prices of a few painters such as Qi Baishi, most of the artists in Beijing and Tianjin have lower prices. In response, this magazine invited some art historians and managers to discuss this phenomenon.