“阳春白雪”原指春秋战国时期楚国流行的一种难度极大,但艺术性极高的歌曲。后来,成为高雅艺术的代名词。而“下里巴人”同样出自战国宋玉的《对楚王问》中,原指楚地流行的民间音乐,后指代通俗艺术。“阳春白雪”和“下里巴人”这一雅一俗,本无高低贵贱之分,但二者间的彼此影响、彼此竞争却构筑了清中叶以后,中国传统戏曲在变革中发展的格局。从原始歌舞到杂剧传奇,再到近代戏曲改良运动,中国戏曲史上有无数次戏曲理念 “Spring snow” Originally refers to the Spring and Autumn Period during the Warring States Period Chu a difficult, but highly artistic songs. Later, become synonymous with elegant art. And “under the Riba” also from the Song of Song Yu “to the king of the king”, originally refers to the popular folk music Chu, later refers to the popular art. There is no distinction between high and low, but the mutual influence and competition between the two play an important role in the development of Chinese traditional opera in the mid-Qing period . From the original song and dance to the legendary Zaju, to the modern drama reform movement, there are countless times in Chinese opera history