对于影视批评 ,邵牧君先生将其分为“前层次的评论和后层次的研究”两个层面 ,同时认为影视研究尤其是电影研究 ,主要已不是本体研究 ,而是以方法论为转移的类型研究。著名影视学者和评论人戴锦华的《雾中风景———1978— 1998中国电影文化》 ,作为近年既透视电影自身景观又观 For criticism of film and television, Mr. Shao Mujun divided it into two parts: “commentaries at the previous level and post-level studies”, and at the same time think that film and television studies, especially film studies, are no longer ontological studies but rather typological studies that shift from methodologies. The famous film and television scholar and commentator Dai Jinhua’s “Scenery in the Fog --- 1978-1998 Chinese Film Culture”, as both a perspective film and its own landscape in recent years