影片《代野市长》中的肖子云,做为一个改革者的形象,从艺术上看是不成功的。 影片把改革图解为改革者与反改革者的冲突,而人物性格则淹没在“方案之争”中,在事件的堆砌中。 改革最大的阻力来自旧的习惯势力,而旧的积习的影响在每个人身上,包括改革者自己身上,都不同程度地存在着,正因为如此,才说改革是壁垒分明的,改革者有时要同自己身上旧的积习的积淀作斗 Xiao Ziyun in the film “Mayor Daiyo”, as a reformer’s image, is not an artistic success. The film illustrates the reform as the conflict between the reformers and the anti-reformers, while the character’s personality is submerged in the “controversy between programs” and is piled up in the incident. The greatest obstacle to reform came from the old habitual forces. However, the influence of the old accumulated exercises existed to varying degrees on everyone, including the reformers themselves. It was for this reason that the reforms were divided by barriers and the reformers sometimes With their accumulation of old plot accumulation for fighting