新中国成立初期,新疆现代美术的起点并不低。改革开放前,新疆就出现了一些在全国有影响的画家与作品。新时期以来,一批中青年美术家崛起,但由于他们成长于本土,还缺乏与内地发达地区美术家平起平坐的底气,于是具有一定的边缘化心理。年轻画家赵培智在第十一届全国美展上一举夺金,不但实现了新疆在全国美展上金奖零的突破,而且有着很强的示范意义,不仅大大增强了新一代新疆画家的自信心,而且对新疆美术未来的发展,也具有非常积极的促进作用。同时,对赵培智等新疆年轻画家获奖原因的深入剖析,也是研究新疆现代美术发展的一个重要课题。 In the early days of New China, the starting point of modern art in Xinjiang was not low. Before the reform and opening up, there were some influential painters and works in Xinjiang. Since the beginning of the new era, a group of young and middle-aged artists have risen. However, due to their growing up in the Mainland, they lack the strength to live in balance with the artists in the developed areas in the Mainland and thus have some marginalized psychology. Young painter Zhao Peizhi won the gold award at the 11th National Art Exhibition. It not only achieved a zero breakthrough of gold medal at the national art exhibition in Xinjiang, but also had a strong demonstration significance. This not only greatly enhanced the self-confidence of the new generation of Xinjiang painters, The future development of art in Xinjiang also has a very positive role in promoting. At the same time, in-depth analysis of the reasons why Zhao Peizhi and other young artists in Xinjiang won the award is also an important issue for studying the development of modern art in Xinjiang.