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自20世纪末和新世纪以来,西方美学在生态型美学、生活美学、身体美学的带动下,开始了一次新的美学转型,这一转型从外在形态上看来,是西方美学从自身的特性(即只有西方才有的美学形态)走向全球共同的(即与各非西方美学同样的)形态,主要体现在,不突出艺术作为审美对象的独特地位,而把艺术与自然、社会同等看待。这一转型,同时也促使西方美学中已经被多次重新思考和争论的基本概念,如美、美感、艺术等,再一
Since the end of the 20th century and the beginning of the new century, Western aesthetics has started a new aesthetics transformation led by ecological aesthetics, living aesthetics and body aesthetics. This transition, viewed from its external form, is based on its own characteristics (That is, only the aesthetic forms that are unique to the West) to common forms in the world (that is, the same as non-Western aesthetics) mainly embody the distinction between the arts and nature and society in the same manner without highlighting the unique position of art as an aesthetic object. This transformation has also prompted the basic concepts of western aesthetics that have been repeatedly rethought and debated, such as beauty, beauty, art, and so on.