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电视连续剧《西游记》把古典名著搬上荧屏无疑是对观众的一大贡献。但导演艺术处理有明显失误。首先是孙悟空形象的自相矛盾。悟空是该剧着力刻划的主要人物。开头部分讲悟空大闹天宫,只有如来佛能降服他,杨二郎靠了几个神们的帮助才能抓住他。可见,“齐天大圣”名实相符。但以后历集中普通神仙的坐骑(如狮子),玩物(如玉兔)却都能把孙悟空斗得技穷力竭。牛魔王非孙悟空对手,红孩儿却几伤孙的性命,东海龙一见了孙悟空直抖,小白龙却使孙大伤脑筋。孙悟空一遇妖魔便需求助于人昔日雄风荡然无存。艺术上常用环境衬托把英雄步步垫高,而该剧则使悟空前高后低,塑造了一个英雄又使他黯然失色,把小说的不足用视听形式强化体现,与群众长期形成的心理定势相抵牾,造成观赏情绪的递次跌落。其次是大量的情节和镜头处理喧宾夺主。如《天竺收玉兔》将招驸马的过程极尽铺排,却忽视追求新
The TV series “Journey to the West” to the classic screenplay onto the screen is undoubtedly a major contribution to the audience. However, the director of art has obvious mistakes. The first is the self-contradiction of Monkey King’s image. Wukong is the main character of the drama hard scored. The beginning part of the enlightenment sky Havoc in Heaven, Buddha can only overcome him, Yang Erlang rely on the help of several gods to seize him. Can be seen, “Monkey King” name match. However, after the calendar focused ordinary fairy horse (such as the lion), plaything (such as rabbit) but are able to Sun Wukong fighting exhausted. Cow devil non-Sun Wukong opponents, but a few red grandson Sun’s life, the East China Sea dragon saw the Monkey King direct shaking, Little White Dragon Sun Big brain teases. Sun Wukong a demon will need to help people in the past glory. The common environment in the art sets the hero at a step by step, while the drama sets the Gogo high and low, shapes a hero and eclipses him, strengthens the expression of the novel in audiovisual form, Potential balance, resulting in the decline of ornamental mood. Followed by a large number of plot and lens handling overwhelming. Such as “Tianzhu received rabbit” will recruit the process of extravagant, but ignore the pursuit of new