论文部分内容阅读
陶渊明运用辞赋文体,并实际借由《归去来辞》与《感士不遇赋》两篇重要文本所展开的归田论述,就其外在型式的辞赋文体特质,臻至辞赋的书写系谱,及其内在的书写文化,例如其中包括时空铺陈、历史巡礼、人物缅怀、文化追忆、当代讽谏等等,皆一一映现在陶渊明辞赋之归田论述里,因此借由攸关陶渊明辞赋中归田论述之历史系谱、文化地图与人生谏书等三类文化范畴的重新审视,我们得以重新观照并发现其中所蕴涵的深层文化底蕴,并由此展现辞赋书写在陶渊明田园文学世界中独特的文体、文化及其人生对话意涵。
Tao Yuanming’s use of Ci Fu’s style of writing and his actual reference to the two important texts of “returning to homecoming” and “sentimentally incomprehensible” lay a foundation for his argument that the extrinsic style of Fu’s genre, his writing pedigree, The inner writing culture, for example, includes the history of time and space, historical remembrance, memory of people, memory of culture, contemporary remonstrance and so on. Pedigree, cultural map and life remonstration, we can reconsider and discover the deep cultural connotations contained therein, and thus show the unique styles, cultures and their unique features of Tao Yuanming’s idyllic literature world Life conversation meaning.