王弼作为魏晋“贵无论”玄学的始祖,研究者大多注重其糅合儒道的玄学思路,而较少对其文章作文学性质上的评价。考虑到王弼所著大多属于阐释性的文体,而这种文体相较于传统意义上的文章具有较为特殊的因素,因此他在玄学上的光芒成就似乎埋没了其在文学上的苦心孤诣;然而,由于他的写作是站在哲学高度来指导文学,如其言意之辨、朴素之美等理论使得他的文学成就与同类著书相比亦是自然而有所拔得。正是由于玄学与文学二者在行文中的相互作用,才使得王弼的玄学之路充满了文采与哲思。 As the ancestor of Metaphysics in Wei and Jin Dynasties, most of the researchers paid much attention to its metaphysical thinking of blending Confucianism and Taoism, but less on the literary nature of his essay. Considering that most of the works by Wang Bi belonged to an interpretative stylistic style which was more special than traditional articles, his metaphysical achievements seemed to have buried his literary distress. However, Because his writing stands at the philosophical height to guide the literature, his theory of literary interpretation, simpleness and beauty makes his literary achievements more natural and more successful than his books. It is precisely because of metaphysics and literature both in the context of the interaction, it makes Wang Bi’s metaphysical road full of literary talent and philosophical thinking.