一、引言维修古建筑的油饰彩画,采取满砍重做的作法似乎是当然的。民国以来,北京的宫殿、庙宇、园林建筑几乎都是满砍重修的。修缮以后,面貌焕然一新,能够得到多数人的称赞,工程设计人用“传统工艺施工”代替了繁杂的纹饰设计工作,彩画工匠在绘画中也有一定的发挥余地,可谓“传统作法”了。然而,1989年进行的北海快雪堂油饰彩 I. INTRODUCTION It is a matter of course that repairs to the oil paintings and paintings of ancient buildings should be taken in full. Since the beginning of the Republic of China, almost all the palaces, temples and gardens in Beijing have been rebuilt. After the renovation, the appearance of a new look, to be praised by the majority, engineering designers to use “traditional technology construction ” instead of the complicated decoration design work, painting craftsmen also have some room to play in the painting, can be described as “traditional practices ”Now. However, in 1989 the North Sea Kawada Church oil color