在中国传统戏曲中,抒情性与写意性构成了它演绎故事情节、塑造人物形象、揭示思想意蕴的主要特征,在这一过程中,人的主体精神和能动精神得到了最充分的展现,而这一目的实现与完成又是通过形式符号的象征性和表现手段的虚拟性来进行的。所谓虚,是指虚构、提炼与升华,它指中国戏曲在表现现实生活时,可以突破现实世界实际情况的束缚,不以事物之常理来表现事物,而是把人 In the traditional Chinese opera, lyricism and freehand composition constitute the main features of deducing the storyline, shaping the characters and revealing the meaning of the thoughts. In this process, the main body spirit and active spirit of the people are fully displayed, The fulfillment and fulfillment of this end are again achieved through the symbolic of formal symbols and the virtuality of means of expression. The so-called virtual, refers to the fictional, refined and sublimation, which refers to the performance of Chinese drama in real life, you can break the shackles of the real world reality, not things to the common sense of things, but the people