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关注文学本体的审美精神、形而上追求的超越精神和语言中心意识,是印度传统诗学民族话语的基本特征。其审美精神中既有对外在的形体美的关注,也有对内在的诗的灵魂的探讨以及对美感即审美享受的重视;其超越精神主要表现为解脱和虔诚的终极性超越,也有非功利的超俗性和重意蕴的超象性追求;其语言中心意识主要表现为以修辞学为核心的庄严论的发达,以及基于语言学的对诗的理解和认识。印度传统诗学中的审美精神与唯美主义、超越精神与神秘主义、语言中心意识与形式主义具有内在的联系而没有绝对的界限。
Attention to the aesthetic spirit of the literary ontology and metaphysical pursuit of transcendence and linguistic center consciousness are the basic features of the national discourse of Indian traditional poetics. In his aesthetic spirit, he not only paid attention to the external beauty of form, but also explored the soul of inner poetry and the aesthetic appreciation of beauty. His transcendence spirit mainly manifested the ultimate surrender of liberation and devotion, as well as non-utilitarian vulgar Sexual and heavy meaning of the pursuit of supernatural; its language center consciousness is mainly manifested in the rhetoric as the core of the developed theory, as well as based on linguistic understanding and understanding of poetry. The aesthetic spirit in traditional Indian poetics is intrinsically linked with aestheticism, transcendence and mysticism, linguistic-centric consciousness and formalism without absolute boundaries.