南斯拉夫故事片《开往克拉列沃的列车》,以喜剧手法表现惊险事件,在塑造悲剧性人物的崇高精神中,赋予喜剧的个性特征,使影片显示了独特的审美效果。影片情节简单,只围绕着一方要脱身一方要搜捕的对立而展开;场景集中,限于一列客车上,使观众对矛盾双方的强弱之势和托列所处的危险境地一目了然,具有强烈的惊险性和悬念感。然而,在这样生死悠关的紧张气氛中,肩负运送地下党中央秘密文件的托列,不但不紧张不畏惧,反而神情轻松自如,若无其事,慢条斯理,逢人还要嬉笑打趣,工人们说他是见了女人就神魂颠倒,什么都忘了。尤其是他与犹太 Yugoslavia’s feature film “Train to Kraljevo,” presenting the thrilling events in a comic manner and the individuality of comedy in shaping the lofty spirit of tragic figures has made the film a unique aesthetic. The film’s plot is simple, focusing only on the opposition of one party to be captured. The scene is concentrated and confined to a series of buses, giving the audience a clear view of both the strength and weakness of the contradictions and the danger posed by the prophets. Sex and suspense. However, in such an atmosphere of life and death, Torrerey, who shoulders the secret document of the underground party, not only did not hesitate but did not fear, but she looked relaxed and relaxed. Met a woman captivated, forget everything. Especially him and Jewish