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读高阳的文字,书信和对话让我想起了余杰的《香草山》和米兰·昆德拉的《身份》,也许,在其内涵及其他上都没有丝毫的共性,甚至相去甚远。但有某种相似的是,书信或对话的出现一方面揭露了事件,另一方面也显现出一种朴素而沉着的感情,虽或喜或忧,虽有笑有泪,却总令人感到安谧。这是一篇令人感受到回忆温度的文字,怀恋的氛围很浓,让人感觉有一层淡淡的、透明的东西氤氲在文字表面,是那种忧伤而又深沉的东西。
Reading Gao Yang’s texts, letters and dialogue reminds me of Yu Jie’s “Vanilla” and Milan Kundera’s “Identity.” Perhaps there is no commonality in the connotation and other aspects, and even a far cry from it. But there is some similarity. The appearance of letters or dialogues reveals the incident on the one hand, and it also shows a simple and calm feeling on the other hand. Although joy or worry, it is always felt with tears and tears. tranquil. This is a text that feels the temperature of memories. The atmosphere of nostalgia is very strong, and people feel that there is a layer of faint, transparent things on the surface of the text. It is a sad and deep thing.