19世纪末20世纪初,中国古典诗歌在英美诗坛上展示了其独特魅力,丰富而饱满的“意象”使庞德等众多诗人为之倾倒,然而“意象”的接受过程中却发生了异化现象。本文主要从“意象”的语言层、形象层、意蕴层三个方面展开论述英美意象主义诗人在接受和借鉴中国古典诗歌时所遇到的多重羁绊,这正是意象派借鉴中国古诗意象形似而神不似的原因。 In the late 19th century and the early 20th century, Chinese classical poetry demonstrated its unique charm in British and American poetry circles. The rich and full “image” dumped many poets such as Pound. However, the phenomenon of alienation occurred during the acceptance of “image”. This article mainly discusses the multiple fetters encountered by the Anglo-American imaginary poets in accepting and borrowing Chinese classical poetry from three aspects: the language level, the image level and the implication level of “imagery” God does not like the reason.