20世纪60年代极少主义抽象雕塑在美国成熟,艺术家提出“每一件作品只是一件物的存在”和“少就是多”的理论影响至今。本文以有代表性的极少主义雕塑为例,在现代艺术语境下通过视觉、哲学等方面对“物”的存在进行思考,在思考中西文化思想具有可追溯性和相近性的同时,得出中国传统哲学中的“道”与西方哲学中的“世界”是相通的。艺术是使生命返回其源头,从而为抽象雕塑在中国艺术院校的教学和应用中找到理论和民族自信。 Minimalist abstract sculptures of the 1960s matured in the United States, and artists have argued that the theory that “each piece is only one thing” and “less is more” still affects the present day. Taking representative minimalist sculptures as examples, this paper reflects on the existence of “things ” through visual and philosophical aspects in the context of modern art. While thinking about the traceability and the closeness between Chinese and western cultural thoughts , Come to the conclusion that “Tao ” in Chinese traditional philosophy is similar to “world ” in western philosophy. Art is the return of life to its source, thus finding a theory and national confidence in the teaching and application of abstract sculpture in Chinese art schools.