《繁花》的用色,于强烈色彩对比中求统一,各种花占据画面主体,红色花卉与向日葵,以大红与大绿的补色作对比,成为画面的最强音。向日葵深浅不一的绿色,层层叠压的柠檬黄、橘黄、棕黄,仙人掌的粉蓝、粉紫、粉绿和小野菊上的粉白与明黄,既有统一的大色调,又包含着丰富的小色调和色调层次。使得画面极具表现主义的色彩感,在形式求索背后,是对美和生命活力的无穷追求。 The color of “flowers” is determined by the contrast of strong colors. Flowers occupy the main body of the picture. Red flowers and sunflowers contrast with the complementary colors of red and green to become the strongest voice of the picture. Sunflower different shades of green, layered lemon yellow, orange, brown, cactus powder blue, pink purple, pink green and Onychomycosis pink and yellow, both uniform and rich colors, but also contains rich Small hues and shades. The very coloristic expression of the expressionist image behind the search for form is the endless pursuit of beauty and life vitality.