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唐代的山水赋中,柳宗元《囚山赋》是较为特殊的一篇。因为在这篇小赋当中,诗人不仅写到山水自然的荒莽凶险,展现了诗人遭到无枉贬谪的悲愤心绪,而且以文学史的眼光来看,诗人一改六朝和盛唐山水诗人以山水自然为皈依的文学传统,再一次将人与自然、人与山水之间的相互对立凸现出来,并从三个方面体现出柳氏山水文学风格的重要质素。
In the Tang Dynasty landscapes, Liu Zongyuan “prison mountain Fu” is a more special one. Because of this small Fu, the poet not only wrote the desolate and dangerous natural landscape, showing the poet was vain relegated melancholy mood, but also from the perspective of literary history, the poet changed the Six Dynasties and Tang Dynasty landscape poet Naturally, the landscape is a literary tradition of conversion. Once again, the landscape of man and nature, man and landscape are contrasted with each other and reflect the important qualities of Liu’s landscape literary style from three aspects.