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树桩盆景的艺术造型,需要通过协调主干与枝片的多样变化,或和谐地展示其恬淡沉静,表现平和柔夷的优美;或在枝干的刚直中辅以回转的遒劲,呈其雄健的壮美;乃至藉拟人化手法塑造为凤舞、鹰扬之类形象,使人从栩栩如生的形象中感受飞扬的动态美。但平心而论,在植物自身属性的制约下,在以符合自然为美的框架中,树桩盆景造型的推陈出新殊为不易;而仅凭枝条的蟠曲在无中生有的风中弹出美之旋律的变奏,则更属难能可贵。《风在吼》卓然特立地展示了一个成功的探索。它以迥然独异的表现手法、新颖妙绝的构思和强烈明确的内涵,描
Stump bonsai art style, need to coordinate the trunk and branches of the diversity of changes, or harmoniously display its tranquil quiet, gentle and soft performance of the beautiful; or in the stem of the rigid supplemented by the turn of the strength, was its magnificent strong ; And even by anthropomorphic approach to shaping the image of Phoenix, Ying Yang, people from the lifelike image feel flying dynamic beauty. But to be fair, under the constraints of the plant’s own attributes, in the framework of conforming to nature for the United States, it is not easy to introduce the new style of stump bonsai. However, the variation of the melody of the beauty pops in the innocent wind only by the branches. It is commendable. “Wind roar” Zoran categorically demonstrated a successful exploration. It is a very different way of expression, the idea of novel and absolutely clear strong intension, description