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1.字的重心要稳。第一个“人”和“入”的撇画写得过短,造成字要向左倾倒的感觉。刘仁同学的楷书作品笔画果断利落,提按明显,字形舒展。作品中“空、不、林、上”结构大气合理。但作品中也有些需要改进的地方:2.字头的大小要合适。“柴”的字头偏宽,“见”的字头偏长,“照”的上部偏小。3.字各部分要做到收放有度。“返”字中“反”的竖撇和反捺要收些,走字底要写舒展。4.要把作品写准确。“返景”不能写成“返影”。
1. The focus of the word should be steady. The first sketches of “people ” and “into ” are too short to write, leaving the word to be left leftover. Liu Ren students routine script works decisively and neat, mentioning the obvious, shaped stretch. Works “empty, no, forest, on the ” structure of the atmosphere is reasonable. But there are some things that need improvement in the works: 2. The size of the head should be appropriate. “Chai ” prefix wide, “see ” prefix long, “according to” the upper part of the small. 3. Each part of the word to achieve a degree of retractable. “Back ” in the word “anti ” vertical sketching and contractions to close, take the word to write stretch. 4. To write accurate works. “Backview ” can not be written as “Back Shadow ”.