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(一)神话、叙事、想象能否成为新的关键词,能否与既有的艺术现象发生关联,能否为我们讨论中国当代艺术的发展提供新的切入角度——这正是本次展览所要思考的问题。中国当代艺术是在20世纪70年代末的改革开放与思想解放的浪潮中一道发展过来的,至今已有30多年的历史。如果分析当代艺术的艺术史上下文关系,以及作品意义生效的内在逻辑,不难发现,在不同的阶段,主要是以二元对立的方式展开的。譬如,在20世纪80年代,大部分的作品均绕不开民间VS官方、前卫VS保守、边缘VS主流、精英VS大众的方式。之所以会形成二元对立的叙事
(1) Whether the myths, narratives and imagination can become the new key words, whether they can be related to the existing artistic phenomena, and whether we can provide a new perspective for discussing the development of contemporary Chinese art - this is precisely the exhibition The question to be considered. Chinese contemporary art was developed in the wake of the reform and opening up and the emancipation of the mind in the late 1970s and it has been more than 30 years old. If we analyze the contextual relationship between the art history of contemporary art and the internal logic of the significance of the work, it is not difficult to find that at different stages, it is mainly conducted in a binary opposition. For example, in the 1980s, most of the works are based on folk VS official, conservative VS conservative, fringe VS mainstream, elite VS popular way. The reason why the binary opposition will be formed