论文部分内容阅读
第十届卡塞尔当代艺术文献展在轰轰烈烈地进行了100天后终于在9月28日这一天降下了帷幕。文献展从1955年首次举办到今天的第十届已走过了近半个世纪的历程,它也从一个原先计划的地区性的展览跃升为世界现代艺术运动中最具权威性的展览,有许多当代著名的艺术大师最先就是在文献展上崭露头角的。在新旧世纪交替的时刻,对这一具有世界影响的艺术展览的发展历程作一简单的回顾将有助于我们系统地去了解二十世纪后半叶的当代艺术史中的一些重要现象、观点和主张。1955年举办的第一届文献展源起于当时正在卡塞尔大学担任绘画教授的阿尔德·鲍蒂(ARNOLDBODE)的一个想法。众所周知,在社会主义国家的德国,各种现代艺术的风格几乎成为禁忌,在战争和战后的重建中它们已被人们所遗忘。鉴于这种情况,他觉得有必要举办一个展览,把那些现代艺术风格重
The 10th Kassel Contemporary Art Documentary Exhibition came to an end on September 28 after a whopping 100 days. The documentary exhibition, first held in 1955 to the tenth today, has gone through almost half a century. It has also jumped from a previously planned regional exhibition to the most authoritative exhibition in the world’s modern art movement. There are Many of today’s most famous contemporary masters of art came to the forefront of documentary exhibitions. A brief review of the development of this world-influencing art exhibition at a time when the old and new century will alternate will help us systematically understand some of the important phenomena in contemporary art history in the second half of the twentieth century. And advocate. The first documentary exhibition in 1955 originated from the idea of ARNOLDBODE, then a professor of painting at Kassel University. As we all know, in the socialist country of Germany, the styles of various modern art have almost become taboo, and they have been forgotten in the post-war and post-war reconstruction. In view of this situation, he felt it necessary to organize an exhibition to emphasize those modern art styles