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青年画家陈克永,近几年,已先后在国内颇有影响的《美术研究》、《中国画》等刊物上发表山水画作品,引起读者瞩目。他的作品大多来自对自己家乡山水的感受,乡土气颇浓,质朴、自然、深沉,浑厚。在广泛研习传统的基础上,紧紧结合内容需要,灵活运用,侧重将北宋北派山水大家范宽的山水技法和气势,融入自己的画中,但不取全景式构图,而采取截断法,上不见山顶,下不露山脚,挡腰截取最美的一段,似乎含有石涛“蹊径六则”的影子,又没有留下模仿的痕迹。
In recent years, the young painter Chen Ke-yong has published works of landscape paintings in the influential publications such as “Art Research” and “Chinese Paintings” in China, arousing readers’ attention. Most of his works come from the feeling of his hometown landscape, rustic strong, simple, natural, deep, vigorous. On the basis of extensively studying traditions, we should combine the needs of content with the flexibility and apply the landscape techniques and momentum of the Beifang landscapes in the Northern Song Dynasty to our own paintings. However, instead of taking panoramic composition, we adopt the truncation method, On the top of the hill, not under the foot of the mountain, block the waist the most beautiful section, it seems that contains the “shadow of the path six” shadow, but did not leave the traces of imitation.