论文部分内容阅读
为了使审美体验在环境公共行动中发挥出更加积极的作用,美学家必须化解与景观和环境相关的审美体验、审美判断以及决策中的一系列对立性要素,诸如审美主体与客体的对立、非人类与人类的对立、个体与群体的对立、地方民众与专家的对立。真正的环境审美体验是积极的、参与性的、可交流的,而不是消极的、私人的、主体性的。通过这种体验,我们可以消除一些妨碍美学在公共领域发挥重要作用的障碍。一些途径可以打破人与自然的界限,比如园艺、环境艺术以及相关的对于环境的审美估价方式,都能够发展人与自然的和谐关系。为了鼓励对景观更加亲密、更加积极的审美参与,应当重视审美沟通的价值,即与更多的人讨论和分享我们的环境审美体验和审美价值。
In order to make aesthetic experience play a more positive role in environmental public actions, estheticians must resolve aesthetic experience, aesthetic judgment and a series of oppositional elements in decision making, such as the opposition between aesthetic subject and object, The antagonism between mankind and human beings, the antagonism between individuals and groups, and the antagonism between local people and experts. The real environmental aesthetic experience is positive, participatory, communicative, and not negative, private, subjective. Through this experience, we can eliminate some of the obstacles that prevent aesthetics from playing an important role in the public sphere. Some ways to break the boundaries between man and nature, such as gardening, environmental art and related aesthetic valuation of the environment, can develop a harmonious relationship between man and nature. In order to encourage a more intimate and active aesthetic participation in the landscape, we should attach importance to the value of aesthetic communication, that is, discuss and share our environmental aesthetic experience and aesthetic value with more people.