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从中国传统设计审美研究的角度,以儒家“中和美”思想作为切入点,解读新中式设计风格,并提出其对“中和美”思想的终极追求体现在表达人与自我及自然的和谐;“中和美”对新中式设计的影响则体现在使用美、理性美和自然美,其中着重阐述了新中式设计风格中布局、形态、色彩、材质、装饰和意境等方面“中和美”思想的表现形式。“中和美”作为一种美学传统和文化沉淀,通过深度剖析其丰富的精神内涵并加以运用,将为新中式设计风格在文化传承及审美价值上提供更广阔的空间,使和谐之美更上一个层次。
From the perspective of Chinese aesthetic design of traditional design, taking the Confucianism “Neutralization of the United States ” as the breakthrough point, this paper explains the new Chinese style of design and puts forward that its ultimate pursuit of the thought of “harmony and beauty” is embodied in expressing human beings and self and nature The harmony between the Chinese and the United States is reflected in the use of beauty, rational beauty and natural beauty, which focuses on the aspects of layout, shape, color, material, decoration and artistic conception in the new Chinese style of design And the United States “expression of thought. As a kind of esthetic tradition and cultural precipitation, through deep analysis of its rich spiritual connotation and its application, ”Neutralization and Beauty" will provide a broader space for the new Chinese design style in terms of cultural heritage and aesthetic value so that the beauty of harmony is more The next level.