曲艺是中国土生土长的艺术形式,它所展现的被认为是一种植根于特定语言与情境之中的文化,是一种本土的“集体记忆”。人们都了解艺术既具备普遍性,也凸显特殊性;但以曲艺而言,似乎更为强调的是后者。但在日益广泛和开放的文化交流之中,曲艺艺术也开始逐步走出国门,在世界舞台上展示其极具魅力的独特风采。曲艺文化也因之成为中华文化传播与交流中的重要部分。而在曲艺的“海外”传播中,其原本所处的特定情境无疑被打破了,随之也就出现了若干类 Quyi is an indigenous art form in China. It shows what it considers to be a culture rooted in a particular language and context, and is a native “collective memory.” People all know that art has both universality and particularity. However, in terms of folk art, what seems to be more emphasized is the latter. However, in an increasingly extensive and open cultural exchange, folk art has also begun to gradually go abroad to showcase its unique charm on the world stage. Quyi culture has also become an important part of the Chinese cultural communication and exchange. However, in the dissemination of Quyi’s “Overseas”, the particular situation in which it was originally located was undoubtedly broken, and then several categories appeared