当代书法批评的展开以梅墨生先生1992年在《书法报》开设“现代书法家批评”专栏为标志,然而,此后的书法批评并未因此而步入正常发展的轨道——许多批评家的批评活动都以中辍的形式不了了之,许多纯粹的学术问题、艺术问题在书法圈内因经常受到人为因素的干扰而不能正常展开讨论等等,书法批评基本处于失语状态(隔靴搔痒的书法批评不在此列)。为此,许多批评家将原因归结为 The development of contemporary calligraphy criticism is marked by the publication of Mr. Mei Moisheng’s “Column of Criticism of Modern Calligraphists” in the Calligraphy Press in 1992. However, the subsequent calligraphic criticism did not enter the track of normal development - many criticisms Home criticism activities are suspended in the form of a long absence, many purely academic issues, art issues in the calligraphy circle due to frequent interference by human factors can not be normal discussion, etc., calligraphy criticism is basically in aphasia (tickling calligraphy criticism Not here). To this end, many critics attributed the reason