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自上世纪90年代以来,在西方建筑文化的注视下,国内建筑界逐渐形成一种病态的审美倾向,究其本质是传统建筑美学的“失语”。这种“失语”主要表现在三个方面:传统建筑话语与现代话语的断裂;消费主义与大众文化的侵袭;建筑的符号化与泛艺术化倾向。“杂语共生”“和而不同”是未来世界建筑艺术发展的走向。因此,要应对这场文化困境,我们应当立足于传统建筑美学本身,反思现代性所带来的对于“形式”的过分追求,注重异质性话语的融合,从而摆脱“失语”的状态,营造既具有民族审美特征,又符合时代需求的建筑。
Since the 90s of last century, under the attention of western architectural culture, the domestic construction community has gradually formed a morbid aesthetic tendency. The essence of this is the “aphasia” of traditional architectural aesthetics. This “aphasia ” is mainly manifested in three aspects: the break of traditional architectural discourse and modern discourse; the invasion of consumerism and mass culture; and the symbolic and pan-artistic tendencies of architecture. “Slang language symbiosis ” “but different ” is the trend of the future world architectural art development. Therefore, in order to cope with this cultural dilemma, we should base ourselves on the traditional architectural aesthetics itself, reflect on the excessive pursuit of “form ” brought about by modernity, pay attention to the fusion of heterogeneous discourse and get rid of "aphasia State, to create both have the national aesthetic characteristics, but also meet the needs of the times of the building.