论文部分内容阅读
中国民族众多,音乐风格各异谭盾融合了各民族的音乐风格,并三度采用西洋乐器将它们在电影中演绎。民乐的流动、自然之美因他而为世界所见。法国人的香颂小资、随性。每一首香颂背后,似乎都有说不尽的爱恨情仇。莱奥·卡拉克斯与卡拉·布吕尼因一首香颂各奔东西。伊迪丝·皮雅芙将毛头小子伊夫·蒙当锻造成香颂男神,但却无法永远将其留在身边。印度的拉格音乐深邃、精致,影响了许多现代音乐家。西塔琴大师拉维·香卡与导演萨蒂亚吉特·雷伊的黄金组合给后辈韦斯·安德森树立了电影榜样。巴西的波萨诺瓦听感慵懒,但斯坦·盖茨在电影里即兴演奏,混搭了美式铜管乐与波萨诺瓦的松散鼓点,黑色风格十足,被称为“犯罪爵士”。吉普赛人享尽漂泊,音乐遍布世界,托尼·加特里夫专注于用电影展现吉普赛人的生活,并顺着他们的流浪路线,为人们展现了吉普赛人的音乐与生活。
Many Chinese people, different styles of music Tan shield fusion of ethnic music styles, and three times the Western musical instrument to interpret them in the movie. The flow of folk music and the beauty of nature are seen by the world for him. French chanson petty bourgeoisie, with the sex. Behind each chanson, there seems to be endless love and hate. Leo Callaux and Carla Bruni go their separate ways for a chanson. Edith Piaf forged the feather boy Yifu Mengdang into a chant deity, but could not leave it forever. India’s Lager music is profound and sophisticated, affecting many modern musicians. The golden combination of Sitar master Lavi Shankar and director Satyaget Rey set the example for the younger Wes Anderson. Bossa Nova in Brazil lazily listened to, but Stan Gates improvise in the movie, mix and match the American brass and Bossa Nova’s loose drums, full of black style, known as “Crime Jazz” . The gypsies enjoy their wandering and the music spread all over the world. Toni Gatrich focuses on using the movies to show the gypsies’ lives and shows the Roma music and life along their stray routes.