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新时代的到来总会引发人们新的展望。跨入21世纪,戏剧界的同行自然都会关注新世纪戏剧的走向与前景,思考戏剧学术研究的发展与深入。 过去的20世纪,对于戏剧来说,是一个“革新的世纪”(美国戏剧史家布洛克特语)。面对社会的动荡、科学的发展、媒体的多元,全世界各种戏剧方式的探索、实验、寻根、变异、解构、重构,使得戏剧的内涵与外延都得到了前所未有的拓展,由此而来的戏剧观念的变化以及新的戏剧主张戏剧理论的问题,则为戏剧学术研究注入了极大的活力。这是20世纪戏剧值得骄傲的成果。
The arrival of a new era will always lead to new prospects for people. Into the 21st century, the theater industry peers will naturally pay attention to the direction and prospects of drama in the new century, thinking about the development and deepening of academic study of drama. The past twentieth century was a “century of innovation” (the American theater historian Bullock) for theater. Faced with the social turmoil, the development of science, the diversity of the media, the exploration, experiment, root-seeking, mutation, deconstruction and reconstruction of all kinds of dramatic modes all over the world, the connotation and denotation of the drama have been expanded as never before Changes in the concept of drama to come and the new drama advocates the theory of drama, the dramatic academic research has injected great vitality. This is a proud achievement of the 20th century drama.