仪式镜片下观察的中国两性对歌呈现出仪式结构化、重复性、模式化的文化属性。壮族夜歌即具有对歌仪式结构化的部分。现代社会变迁下对歌仪式小型化的趋势不可避免,但仪式属性之一的“表演”仍可在壮族戏情歌之一的乃桌歌中窥知一二,它增加了我们对两性对歌的仪式以交流性、戏剧化、表演性为其意义的仪式功能性理解。 The Chinese bisexual songs observed under the lens of the ceremonial show a structured, repetitive and modest cultural attribute of the ceremony. Zhuang nationality night song that has a structured part of the song ceremony. The trend toward miniaturization of song ceremonies is inevitable in the modern society. However, one of the ritual attributes of “performance” can still be seen in table songs, one of the Zhuang nationalities love songs, The song ceremony is a functional understanding of rituals whose meaning is communication, dramatization and performance.