现在很少看到剧评了,好剧评更是凤毛麟角。在纸质传媒不再一统天下的今天,戏剧观众很少有人专门去浏览报纸和杂志,了解对某个剧目的评论。即便在日见趋热的电脑网络中,或在人们生活离不开的电视广播里,刻意注意剧评的人也日益减少。各类媒体上,本来这块阵地已经被挤得越来越小,但其间仍然存在良莠杂陈的乱象。发行有限的报纸杂志,“著名评论家”多,真正有价值的剧评少。显而 Now rarely see the drama critics, drama is even more rare. In a world where print media is no longer unified, few viewers in the theater are dedicated to browsing newspapers and magazines for comments on a particular show. Even in the increasingly hot computer networks, or in people’s livelihood can not be separated from the television, deliberate attention to critics also declining. In various media, this position has been squeezed smaller and smaller, but there are still chaos in the meantime. Issue limited newspapers and magazines, “famous critic ” more, less valuable drama critics. Obviously