身兼批评家和小说家两种身份的英国作家戴维.洛奇在其小说创作中戏仿了现代小说的多种形式,并在其创作过程中具有程度不同的表现和发展。但这种形式的戏仿有别于形式主义从“文学性”角度对现代文学过度追求形式创新的观念,戴维.洛奇更多关注于现实社会问题与读者反应,形式戏仿只是符合其文本中一贯的喜剧化语言风格和表现方式的手段,因此,戏仿构成了对20世纪以来的形式主义追求的颠覆意义。 David Rowch, an English writer who is both a critic and a novelist, imitates many forms of modern novels in his novels and displays different degrees of performance and development in his writing. However, this form of parody differs from the notion that formalism overly pursues formal innovation in modern literature from the perspective of “literary nature.” David Lodge focuses more on the reaction of the actual social issues with the reader. The formal parody is merely In line with its usual cynical language style and means of expression in its text, parody constitutes a subversive meaning of the formalist quest since the 20th century.