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20世纪30年代,“社会言情小说”已蔚为大观,在与新文学、武侠、侦探、历史等类小说的竞争中,已牢牢树立了自己的地位。这表明,先前的“社会小说”历经十余年的跋涉,终于从清末谴责小说和黑幕小说的阴影中走了出来,同时标志着这派“言情小说”业已摆脱“哀情小说”的纠缠。社会小说和言情小说的合流以张恨水那部轰动一时的《啼笑因缘》为标志,它空前未有的成功可能是20世纪30年代中国书市上最引人瞩目的一
In the 1930s, “social romance novels” have become a grand occasion. In the competition with novels such as new literature, martial arts, detectives and history, they have firmly established their position. This shows that the previous “social novel” has finally come out of the shadows of condemned novels and shady novels in the late Qing Dynasty after more than ten years of trekking, and at the same time marks the grievance of this “romance novel” Novel “entangled. The confluence of social novels and romance novels is marked by the sensational ”ridiculousness" of Zhang Henshui. Its unprecedented success may be the most remarkable one in the Chinese book market in the 1930s