“现代”是一个思想陷阱? 现代艺术在中国可以从三个截止日期去作为分析的出发点,一个是二十世纪初,即从除悲鸿等人引进欧洲的油表现中国的城市生活经验;第二个是从1949年开始,艺术至少作为一种现代政治艺术是存在的;另一个是从1976年以来,由此开始现代艺术试图真正与西方竞赛的意识。 “Modern” is a trap of thinking? Modern art can be used as the starting point for analysis in China from three deadlines, one is the early twentieth century, that is, the experience of urban life in China from the introduction of oil from Europe except Beihong et al. The second is that since 1949 art was at least as a modern political art; the other was that since 1976, the awareness that modern art was trying to truly compete with the Western race began.