论文部分内容阅读
人无急智,难以应急,不能应急,生存亦难。崔永元在做电视节目主持人时,便以镜头前即兴发挥的急智显露才华。若说当年的名牌栏目《实话实说》,是由思想的锋芒和人生的机趣相辉映的崔永元式的急智取胜,想必会有不少人赞同,也大致合乎情理。前有《实话实说》,后有《谢天谢地,你来啦》,崔永元将他的绝活儿——聚光灯下的急智发挥得淋漓尽致,只不过前者基本是他的个人发挥,而后者则是他带动一干演员、明星的群体发挥。其急智不变,则节目出奇制胜的法宝不变,观众的观赏兴趣不变,节目收视率高升的态势亦不变。
No urgency, hard emergency, no emergency, hard to survive. When Choi Yong-yuan is a TV presenter, she shows off her talent in an emergency with an improvised play in front of the camera. If we say that the brand-name section of the year, “to tell the truth”, is won by the Cui Yong-Yuan-style urgent wisdom that reflects the edge of the thought and the life of the machine, there must be many people agree, but also generally reasonable. Before the “tell the truth”, after the “thank God, you come,” Cui Yongyuan his unique skills - under the spotlight emergency play most vividly, but the former is basically his personal play, while the latter is driven by him Actors, star groups play. Its temper unchanged, the program surprisingly winning magic unchanged, the audience’s viewing interest remains unchanged, the show’s rising ratings the same trend.